Miriam Cahn's paintings comprise either direct reflections of a situation experienced in real life or an actual condition, furthermore, they are determined by the artist's own cycle, therefore derived from womanhood as such, which is expressed in a gesture of discord and action decoupled from control. Some of Cahn's pieces are inscribed with the abbreviation 'bl. arb.' ('blood work''), explicitly referring to a physical and psychological state, which shows the difference between female and male feeling from an existentialist perspective.