秦东昕编著的《艾米莉·迪金森诗歌中对象征再现的批评》以独特的视角研究美国著名女诗人艾米莉·迪金森诗歌创作特点，将以刘勰、王国维为代表的中国古典诗学理论以及以爱德华兹和爱默生为代表的美国诗学理论运用到分析批评中，还将杜甫与迪金森的诗歌创作进行了对比分析，揭示了诗歌创作的个性与共性这一深刻主题。

Introduction

CHAPTER 1 Ancient Chinese Poetics: the Aesthetic Pattern and the World

 1.1 Liu Xie [Hsieh] 's The Literary Mind and the Carving of Dragons

 1.2 Wang Guowei's Poetic Remarks in the Human World

CHAPTER 2 New England Tradition: Puritan Typology and Transcendental Symbols

 2.1 Jonathan Edwards's Typological View of Things

 2.2 Ralph Waldo Emerson's Symbolic View of Things

CHAPTER 3 Dickinson's Heresy: "the Unfurnished Eyes" and the "Anti-Visionary" Poet

 3.1 The Unfurnished Eyes

 3.2 The Anti-Visionary Poet

CHAPTER 4 Dickinson and Du Fu: Worlds of Pain and Peace in Reverence

 4.1 "Reverence for Life"

 4.2 The Worlds of Pain and Peace

Conclusion: Voice at Home and Abroad

Bibliography